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In
her magazine article, Wilson says that her mother
"lived in Edgefield,
South Carolina, with my father Milton Strother and their three
children - Benjamin, Viola, and me". She has also reportedly
claimed in at
least one lecture
that she was born in Williamson, West Virginia (a
press
release calls her a "West Virginia native")
and that her
father or grandfather was named David, the white son of an Edgefield plantation owner whose property was adjacent to
that of the Strom Thurmond family. (A review
of another lecture describes Ms. Wilson showing photographs of
what she says is the family plantation.)
In July 2004, Kemp wrote to complain that her mother's statements at
the West Virginia lecture were "misquoted" and
asserted that Wilson
said neither that her father's name is David nor that she was
born in West Virginia. Kemp did not dispute any of
the other statements her mother was described as having made
at that lecture, nor did she discuss the "Quilt
Code" except to say that "There are people who do
not believe in Jesus, or that people have been to the moon. I
do not publicly debate their views".
Just
two days later, Kemp wrote me that her mother,
now 70, "was born in WV". Eventually I
learned from
Kemp that although Wilson, now 70, was born in South
Carolina and has spent the past 36 years in Ohio, she is to be
considered a "West Virginia native"
because she lived there at one time.
While Wilson's birthplace is immaterial, it is notable
that she seems permanently to have left South Carolina
sometime after her father's death in 1943. That would suggest that if she
learned the "code" from her grandmother Nora,
whatever she recalls is from childhood memories at least half a century old.
Wilson writes in her 2002 magazine article that she,
her sister, and
her aunt Ozella learned the "Code" from her
maternal grandmother Nora
Farrow McDaniel (although the 2004-2005 versions of the family website describe Nora as Wilson's great-grandmother). Nora learned it directly from her
mother,
Eliza Farrow, the slave who Wilson says brought the
"Code" from Africa. Wilson provides considerable
detail about Eliza, who according to Wilson and Kemp's now-defunct Geocities website was
brought over from Benin, Africa "as a young girl" in the
"early 1800s" with "knowledge of textiles,
cotton, herbs and basket weaving". (The 2004-2005 version of the family's www.plantationquilts.com website described Eliza as both "a child" and
"a teen" .) From the old Geocities site
(screenshot here):
She was brought
across the Atlantic Ocean on a slave ship. The ship stopped in
South America to provide goods and slaves for the banana
plantations and in the Caribbean to provide goods and slaves
for the sugar cane plantations. The ship also needed to get
provisions to continue to America. Finally, with other
captives she was quarantined for two weeks at Sullivan Island
off the Coast of South Carolina. Next, they were auctioned in
Charleston, SC to the highest bidder at a slave market,
along with other goods the ships brought.
Wilson
says that Peter Farrow,
a free black man who was an itinerant blacksmith and preacher,
saved for seven years to buy Eliza's freedom, and the couple
married. But, Wilson says, "[r]ather than fleeing to
the North, they chose to stay behind and continue to work,
raise their family, and help more slaves." (Yet
one review
describes a slide show in which Wilson traveled from South
Carolina to Canada to "retrace her ancestors' escape
route".) So
Eliza, a "seamstress, midwife, and medicine maker,"
traveled with her husband from plantation to plantation, where
she would show slaves a sampler quilt and teach them the
"English translation of Quilt Code patterns" which,
says Wilson, had been developed by mathematicians in Africa. While he
preached to the slaves, Peter would teach them the
"code" in an African language which, according to Wilson,
the slaveowners
would presume was religious "speaking in tongues" - as
she said in a January 3, 2002 article in the Columbia, S.C.
State newspaper:
Slaves
always wanted to be free, my grandmama told me...So they'd get
together whenever they could in the woods and share
information. Sometimes the preacher would tell them if the
Holy Ghost hits them, they could speak in unknown tongues.
That allowed the slaves to communicate in their African
tongues....
This is
a moving story with obviously Biblical overtones (Jacob,
the future leader of Israel, has to labor for 7 years before he
can marry Rachel and be free of her father (Gen.29:14-20)). It
suggests a very short line of
transmission that leaves little room for the error. But on close
examination it contains many incongruities with recorded
history, including antebellum South Carolina law, and simple genealogy.
Peter
Farrow is described as a free black man, a blacksmith and preacher who traveled
from plantation to plantation, in a November 2005 email,
Kemp also said he was brought from Africa. South Carolina kept careful
records of freedmen between the ages of 16 and 60, requiring
them to pay a special tax each year; failure to pay, or
failure to provide documentary proof of manumission before
1820, would
result in enslavement - and in Eliza's case, enslavement of
her children as well, since children inherited their mother's
status. Absence from the
list of freedmen allowed an individual's status to be challenged; in
fact, the census was considered prima facie evidence of a
black person's free or slave status. After the Denmark Vesey
uprising in 1822, freedmen who
left South Carolina were barred from returning; those who did would
be enslaved. Vesey had not only been a freedman but a
minister, so black preachers were monitored with particular
care. Several times the state legislature even debated
re-enslaving all freedmen. The law also required every free black male to
have a white guardian who had to appear before
the court clerk and, in writing, attest to the freedman's
character and accept the guardianship. Similar laws were enacted in Georgia.
I have been unable
to find either Peter or
Eliza Farrow among the free blacks in any antebellum South Carolina or Georgia records.
While it
is commonly believed that worshipping, praying, and speaking
in tongues was the usual practice in the slave quarters, WPA
slave narratives (see also here)
and more than 200 slave
autobiographies tell quite a different story. On many
plantations slaves were forbidden to practice any faith - most
particularly Christianity, with its egalitarian notions,
stories of deliverance, and promise of at least spiritual
freedom.
Former
slaves recount stories of being barred from even saying
"God" or "Lord" when they were whipped -
all they could say was "Pray, Master!" (reinforcing
the idea of their owner and no one else as God). Slaves who
crept away at night to pray in makeshift chapels called
"brush arbors" did so in fear of their lives. More
than one former slave described his mother fearfully praying
in the cabin at night, whispering into a cooking pot to muffle
the sound. Burials were often hasty, sudden, in a shallow
grave, with no prayer, marker or mourners permitted; a funeral
might suggest the dead slave was something other than
property. In this atmosphere, the slave that dared to sing a
spiritual was truly brave - not because of any message of
escape on the Underground Railroad, but simply by voicing the Bible message it contained.
On
plantations where religion was permitted, slaves could not
join a church, or even be baptized, without their owners'
permission, and worship was usually strictly
supervised.
Nondenominational preachers of either race were rare; a
black itinerant preacher would have been looked at with
suspicion. And while being filled with the Holy Spirit,
jumping and shouting were not unusual in certain denominations
in the border states in the very early part of the 19th century (including among whites, although most churches soon abandoned the practice), the modern practice of
"speaking in tongues" (glossolalia) dates from the
Pentecostal movement, which is commonly understood to have
begun in 1906 in (of all places) Los
Angeles. Such an unusual outburst would have
drawn much attention in the antebellum South. Wilson
does not explain how Peter, who by her account (like the slaves he would have
come in contact with), was at least second- or third-generation
American, could communicate in a single "African
language" to the descendants of the many tribes of West
Africa. (For example, more than 50 languages are spoken today in Benin alone; most also have dialects.) By 1860, 99% of the 4.4 million African-Americans in the United States had been born here, not in Africa. But if according to Wilson's article "[e]nslaved
Africans were prohibited from...speaking in their native
languages," using an "African language" in the
manner she describes would seem to be only slightly more
prudent than using Yiddish to pass messages at a Nazi
rally.
In
fact, in South Carolina where Peter Farrow is supposed to have
preached, both free and enslaved blacks were legally barred in
1800 from congregating (including for worship) from sundown to
sunup - their only free time. Punishment was 25 lashes.
The situation was so bad that in
1833 South Carolina and Georgia Presbyterians officially
stated
The
negroes are destitute of the gospel, and ever WILL
BE under the present state of things. In the
vast field extending from an entire State beyond the Potomac
[i. e., Maryland] to the Sabine River, [at that time
our South-western boundary,] and from the Atlantic to the
Ohio, there are, to the best of our knowledge, not twelve
men exclusively devoted to the religious instruction of the
negroes. In the present state of feeling in the South, a
ministry of their own color could neither be obtained NOR
TOLERATED. But do not the negroes have access to the
gospel through the stated ministry of the whites? We answer,
No. We know of but five churches in the
slaveholding States, built expressly for their use. These
are all in the State of Georgia. We may now inquire whether
they enjoy the privileges of the gospel in their own houses,
and on our plantations? Again we return a negative
answer....If the master is pious, the house servants
alone attend family worship, and frequently few or
none of them.
Methodists
responded by appointing one (white) missionary to all
the blacks in South Carolina. He was quickly forced to
desist because even
[v]erbal
instruction...will increase the desire of the black
population to learn.... We consider the common adage that
‘Knowledge is power,’ and as the colored man is
enlightened, his condition will be rendered more unhappy and
intolerable. Intelligence and slavery have no affinity
with each other..
If
even a white, ordained minister was barred from preaching to
not only slaves, but free blacks, how likely is it that
slaveowners would permit an unordained, free black temporarily
employed on their plantations to hold spontaneous services for
their slaves?
Wilson claims
alternately
that Eliza was from Benin and a member of the Igbo
tribe. Setting aside the fact that Igbo land is far
southeast of both the country of Benin and Benin City in
Nigeria, most Igbo were brought to the US before
1800, and after
1790, most were male. After 1800 South
Carolina banned
slave importation (the ban was imposed nationwide in 1808). Between
1804-1807 the state lifted the ban, but between 1803-1808, only six
documented slave ships from the Bight of Biafra (which would
carry Igbo slaves) arrived in any US port, and among those
Igbo only nine are described as
"children".
While
slaves were smuggled in after the importation ban, it was rare, and almost nonexistent along the Atlantic coast. South Carolina also limited to 10 the number of
slaves an owner could bring from another state.
Slaveowners did not appreciate a market flooded
with "imports" bringing down the value of their
property, and quite naturally feared adding to an already
considerable black population (58% of the total by 1860). If
the "young girl" Eliza were one of these few
smuggled slaves, in order to participate for a significant
time in the Underground Railroad (which ran from about
1835-1861), she could not have been born any later than 1825;
but few historians would characterize a c.1830 arrival as
"the early 1800s". Moreover, if she were born that
late and we believe Peter
saved for seven years to "buy her freedom," we face
the disconcerting idea that he must have chosen her for a wife
when she was less than 10 years old.
In 1820 the South
Carolina Legislature barred the manumission
(freeing) of slaves except by direct petition to, and
proclamation by, the Legislature. Over the next 40 years, less than two dozen such petitions were granted.
Unless Eliza
and Peter are listed among these few, while nominally free, by
law Eliza and all her descendants would have remained
slaves. If Peter died or went into debt,
his family could be seized and sold. So for Peter to
have purchased and freed Eliza, this manumission would have
had to occurred before 1820, and she would be listed among the
free blacks in the census. And if Eliza was brought to South Carolina legally, when she was old
enough to know not only about "textiles" but a
complex code developed by African mathematicians, she could not
have been born any later than 1792. In either case her childbearing years
would have been well over by 1845.
Whether Eliza was a
freedwoman or remained a slave, a problem remains: When was
Eliza's daughter Nora Bell born? Nora Bell is, after all, supposed
to have taught the "Code" to both her daughter
Ozella (born 1922) and her granddaughter Wilson (whose mother
Mary was born in 1907). Wilson's article includes what appears
to be
a 1930s photo of Nora as a relatively
young woman (adding more doubt Nora is Wilson's great-grandmother), and a picture of a quilt made by Nora Bell "in the
early 1950s".
In
2002 Kemp ignored my questions on the
subject (rather than blaming the editors, as Tobin has about
inconsistencies in Hidden in Plain View). But in July
2004 Kemp wrote me that it was not her mother's
great-grandmother, but her "maternal grandmother's great-grandmother"
who used the "Quilt Code." That certainly
seems more reasonable. But it also contradicts Wilson's Traditional
Quiltworks article, every report of her lectures, her
own brochure, , and the family website; and it means that she inexplicably omitted an entire generation
(probably Eliza's daughter)
from her story of how the "quilt code" was
passed down in her family.
Repeated attempts to obtain clarification from Kemp
were unsuccessful.
Tracking down Peter and Eliza Farrow
Does
all this mean that Peter and Eliza Farrow are figments of
Wilson's imagination? Not at all. In fact, records show
that a married couple by that name really did exist - and in exactly the same South Carolina communities along the Georgia border where both Ozella and Serena
Wilson say they grew up.
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Farrows
and Strothers lived along the northwest Georgia-
South
Carolina border. Click to see details. |
Census records are loaded with
information. They record not only a
person's name (sometimes oddly spelled), age, and marital status,
but his race, employment, other people
in his household, who his neighbors are, where he and his parents were
born, and his native language.
A
survey of such records shows that during the 19th and
early 20th century, virtually all of the Farrows and
Strothers (of both races) in Georgia and South Carolina
lived in a handful of counties along the border
between the two states, north of Augusta. (Unless
otherwise noted, all location names in this section are
counties.) In
Georgia, these were Franklin, Lincoln and Columbia
counties; in
South Carolina, they were Abbeville, Newberry, Laurens and
Edgefield. |
A handful of free blacks
appear in those counties' antebellum censuses (including three in Edgefield who
are themselves slaveowners) but none are named Farrow. The
only Peter Farrow (or any variation of that name) in Georgia or South Carolina records first
appears in the 1880
Lincoln, Georgia census. Peter is described as a single black
"farm laborer," age 21, boarding with Lucius Jennings; he says
he and his parents were born in Georgia. So does the woman who appears to be his mother, Aggie
Cartledge (all the other Farrows in Lincoln live with her and are
described as her children, and in the 1900
census she lives with grandson Fred Farrow).
It is unlikely
the census taker merely assumed Peter and Aggie's birthplace, since
their neighbors are described as having been born in Maryland, South
Carolina and Africa. The next county over, Columbia, is where Peter
and Liza "Pharrow" are renting a farm in 1900,
along with their children Thom, James, "Jency," and
Nora.
Who might Eliza
have been? We can surmise that since Peter is single in 1880 and
Thom was born in 1883, Peter and Eliza probably married between those
years. Only three single, black "Elizas" or
"Lizas" are in Peter's vicinity in 1880: Liza Williams (age
25, born about 1855); Liza Gullat (age
16, born about 1864), of Columbia, and [E]liza Gola (age 22, born about 1858), from Washington County. All were born in Georgia to Georgia
natives. The first two live with or near members of the Cullars family; in 1900 Aggie lives with her grandson, Robert Cullars.
Peter
and Eliza are still in Columbia in 1910; Peter
reports he is 55, Eliza says she is 50. They share their
home with three adult children: Thomas,
James, and Jessie (or Jennie) and her husband and son.
Kemp also seems to have traced
Peter and Eliza Farrow to post-bellum Georgia. Yet in a
July 2004 email to me she insisted the couple in these census
records is "not my family".
By 1920, Peter and "Lizza"
Farrow,
their son Tom
and his wife, and their daughter Nora
and her husband (William McDaniel, probably born 1869 in Edgefield,
South Carolina) have all rented farms in Edgefield, 35 miles northeast
of Columbia. Among the McDaniels'
five children are Eva and "Sfan" (Stan?); all but the youngest were born in
Georgia. Also in the 1920 Edgefield census are Milton Strother and
family. (Eva, a/k/a Eva Mary, became Milton's second wife; Serena Strother
Wilson is their daughter.)
The two Farrow
families are still in Edgefield in 1930,
and Peter and Eliza's age is stated as 72. The McDaniels
have moved to adjacent McCormick County, possibly to
join some of his relatives two doors down the road. Among the
children are Eva, "Sfan," and Ozella. (Ozella is
misidentified as a "son", but her age corresponds exactly to
the birth
date given in her Social Security death records, and Tobin reports Ozella says she lived in McCormick County.) Vital records show Peter died in
1946; his age was estimated to be 89.
Thus the only
Peter and Eliza Farrow in Georgia and South Carolina records
are just the right age to be Wilson's great-grandparents,
precisely as she has stated. (Kemp even stated in a November 2005 email
that her "great grandmother" [sic]
was born in 1859.) In fact, it would be remarkable indeed if this
couple - whose daughter Nora married to a McDaniel and had children named Eva and
Ozella, the latter born in 1922, and lived in the county where Wilson says she grew up - were somehow not the Peter and Eliza
Farrow whom Wilson claims as hers. Based on census and other vital records,
the "Quilt Code" family tree Wilson originally described should look like this:
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Eliza
(b. about 1859 in Georgia) married Peter Farrow (b. about 1859 in Georgia)
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Nora
Bell[e] Farrow (b. about 1888 in Georgia) married Will McDaniel, Jr. (b. about 1869 in
SC)
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Eva
Mary
McDaniel (b.1907 in SC) married Milton
Strother Ozella McDaniel
(b.1922 in SC)
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Serena
Strother Wilson (b.1934 in SC)
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Teresa
Wilson Kemp (b.1957)
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But this
presents another problem for the "Code" and its
proponents: Multiple,
independent, primary- source documents spanning five decades indicate
that contrary to Wilson and Kemp's claims, Eliza Farrow was not born in
Africa
in the "early 1800s", but in
Georgia, to Georgia natives, in about 1859. Eliza Farrow could
not possibly have passed down a "quilt code" she
personally used or witnessed being used - for the simple reason
that during the entire time the Underground Railroad was
in operation, she was either a toddler or not even born yet. When
the Civil War started, Peter and Eliza Farrow would have been only two
years old.
Thus even if a
"Code" manuscript surfaces which can be shown to have been written by
Eliza, at best it
would be a secondhand account of somebody else's claims of what is
supposed to have occurred in the decades before Eliza was even born.
I emailed this information to Kemp in November 2005. She never addressed the issue.
Claims, but no evidence
When we consider the
conflicts both Hidden in Plain View, Wilson's
article, and the claims of every other "Quilt Code"
proponent have not only with firsthand data regarding slavery,
the Underground Railroad, and quilting, but even with each
other, and the lack of evidence of such a code from any other reliable source, we must wonder how accurate
these stories can possibly be. This is particularly the case
when those who make a point of promoting them as historical
fact either cannot or will not provide reliable supporting
evidence.
In November
2005 Kemp claimed to have "seen two textiles that
were used in conjunction with the McDaniel-Farrow quilt code"
- but she has never produced any evidence these textiles
exist, let alone that they were used in the way she
claims.
Kemp told me
in 2002 the
family has "extensive collections of artifacts and
books" supporting their claims, but although she said she
gives about 10 "quilt code" lectures a year, she was
unable to provide any titles, authors, or other source
information.
In May 2002
she also said her family
has additional "documents and other written
information" which they have not made public so that
"we can tell if someone says their ancestor participated with
mine in the development or spreading of the codes. In
July 2004 she stated that the documents in her collection are
"birth and death certificates, family bibles, military
records and church records and Masonic records and much much
more", including
copies
of originals received from Historical sites between SC
and Canada. Others are books that were written and
published in Africa. Historians gave me copies of
books that would refute the Daughters of Confederacy
claims that the patterns were Civil War
patterns. They were African patterns and just
because American historians did not bother to check or
get other information does not make it
true.
However,
just as in 2002 when she was
"waiting for photographs and other documents to prove the
oral history," three and a half years later in November
2005 she was was still "looking for information
before we felt our work is complete enough to release to the
public". (She has not provided a source for her accusation about the DoC.)
In
several emails she offered to fax copies of her documents to
me. In hopes of getting some idea of their authenticity,
I asked for scans instead, and offered to publish them here so
that she could set the record straight. She then replied
that she would not provide this information until
"after we go to print". I have emailed
her several times since, but after promising once more to send
them, Kemp has ceased responding. Could it be possible that the "documents and other written information" was in fact the story of the Quilt Code that Wilson copyrighted in early 2000? If so, they are modern, and written by her; an
individual's writings cannot be copyrighted by her descendants.
In May 2002 I
asked why she has never presented such valuable data to any
historians, even privately; such information, if authentic,
would not only silence critics but would be an important
resource for those studying the Underground Railroad. She
replied that she does "not need someone to validate what
was passed down in my family" and does "not owe
historians anything," later stating that nobody with
"good intentions" had asked for the documentation.
Yet for the
past several years in lectures at schools, in television
appearances and in magazine articles, and now at the family "museum", she and her family present the "Quilt Code" story as historical
fact.
Since April 2004 this
article has received over 50,000 unique visits (and nearly three quarters of a million "hits"). No one has ever contacted
me with evidence of a "Code". I have also contacted many
"Code" proponents myself to ask where their "firsthand
evidence" can be located. The only source ever cited is Hidden
in Plain View.
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